By Adam Goetz
Structuralist film theory emphasizes how films convey meaning through the use of codes and conventions not dissimilar to the way languages are used to construct meaning in communication. Patrick Mclaughlin uses this theory explicitly in his experimental film composition Viewmanship. The exhibit is a selection of films and videos produced in Calgary between 1994 and 2002.
Traditionally, film has been used as a storytelling device. The arrangement of shots, characters, dialogue and music is structured in such a way to manipulate the audience into the desired emotional response. In Viewmanship, Mclaughlin removes some of these elements in order to control variables and test his audience.
Most of the shorts lack the classic Hollywood narrative that we have become accustomed to, so as a result, many people will be ‘bored’ by them. But you have to remember that this is an experiment. You are being challenged to search for some intrinsic meaning and purpose. The idea is; you have brought your own experiences to the theatre and those experiences will determine how you interpret the film.
Film is the most comprehensive form of artistic expression, and very few people explore the different rudimentary pieces that are involved. Mclaughlin’s project will not thoroughly entertain you, but it will get you talking. If you don’t appreciate film as a medium or you enjoyed the latest Freddie Prinze movie, then I don’t recommend that you attend this event.
Viewmanship is presented by the Calgary Society of Independent Filmmakers and will be shown on Wednesday December 4 at the Uptown Theatre. The show starts at
7:30 p.m. and admission is on a pay-what-you-can basis. The evening also features an after-screening photography exhibit and Patrick Mclaughlin will be attendance.
For more information about Patrick Mclaughlin, click here.