Experimenting with Viewmanship…

By Jeff Kubik

Juxtaposed surveillance camera footage; a 28-minute continuous shot of the Calgary tower’s revolving restaurant; a series of shots centering on the various incarnations of the first pre-fabricated house design–if it’s not independent cinema then Vin Diesel’s movies have become strangely unconventional. Viewmanship is a series of short, experimental films by filmmaker Patrick McLaughlin, the acclaimed… Continue reading Experimenting with Viewmanship…

…Cinema as Language

By Adam Goetz

Structuralist film theory emphasizes how films convey meaning through the use of codes and conventions not dissimilar to the way languages are used to construct meaning in communication. Patrick Mclaughlin uses this theory explicitly in his experimental film composition Viewmanship. The exhibit is a selection of films and videos produced in Calgary between 1994 and… Continue reading …Cinema as Language

Not as lame as a “video of death”

By Adam Goetz

Despite a seemingly trite premise, this highly stylized thriller hits the mark. Exceptional cinematography, eerie visuals and stand out acting performances all set the perfect mood for The Ring. This artistic thriller is a remake of the 1996 Japanese film Ringu, which boasted enormous success in Asia and plenty of praise from critics. In this… Continue reading Not as lame as a “video of death”

Moore Bowling for pins on the right

By Nicole Kobie

Few films guarantee entertainment whether the audience hates or loves what they see. This is an art perfected by writer/director/leftist Michael Moore. Granted, his quasi-documentaries are about politics, but they are one of the best conversation/argument starters.Bowling for Columbine is but the latest piece in his activist work that includes books like Stupid White Men,… Continue reading Moore Bowling for pins on the right

The Lady and the Duke is no revolution

By Jane FitzPatrick

Not unlike the French Revolution upon which The Lady & The Duke is based, this movie will create a dichotomy amongst the citizens of the general movie-going population. The first crowd will consist of extremely satisfied French new wave fans and history connoisseurs. The second group, a herd of frustrated and disappointed hopefuls.The Lady and… Continue reading The Lady and the Duke is no revolution

Hollywood overshadows Four Feathers

By Nicole Kobie

The Four Feathers is a fantasy. Or, rather, it’s best when viewed with an imaginative eye. Set in a historical context, with beautifully realistic filming, it at times feels truthful. However, with a little creativity it not only becomes a swash-buckling, romantic adventure, but meaningful commentary too. Feathers is the tale of two soldier friends,… Continue reading Hollywood overshadows Four Feathers